1] Most of Blake's poetry was not published in the ordinary way, but engraved or etched by Blake himself on copper plates, with accompanying designs. Design and text were cut in relief, stamped on paper, and then coloured by hand. The Songs of Innocence were first engraved in 1789; the Songs of Experience in 1794. The Songs of Experience were never issued separately, but always with the Songs of Innocence, the two collections having the subtitle: "Shewing the Two Contrary States of the Human Soul." Many of the Songs of Innocence have counterparts in the Songs of Experience, the relationship being indicated either by a common title, as with "Holy Thursday," "The Chimney Sweeper," and "Nurse's Song," or by contrasting titles, as with "The Lamb" and "The Tyger," "The Divine Image" and "The Human Abstract," "Infant Joy" and "Infant Sorrow." "Innocence" is the ideal or Paradisal world of protection and peace which the child assumes is the world he is born into; "experience" is the actual world. [In the printed edition of Representative Poetry, because of the close relation of the two sets of lyrics, the Songs of Experience were placed directly after the Songs of Innocence. This poem and the six following poems were from the Songs of Innocence; the nine poems following were from the Songs of Experience.]
18] stain'd. A reference to the fact that the accompanying designs are painted in water-colour.
Online text copyright © 2003, Ian Lancashire for the Department
of English, University of Toronto.
Published by the Web Development Group, Information Technology Services, University of Toronto Libraries.
Original text: William Blake, Songs of Innocence (1789). Blake's Illuminated Books, ed. David Bindman (Princeton, NJ: William Blake Trust; London: Tate Gallery, 1991-). See Vol. 2. PR 4142 B46 1991 ROBA.
First publication date: 1789
RPO poem editor: Northrop Frye
RP edition: 3RP 2.277.
Recent editing: 4:2002/3/14*1:2003/9/20
Form: Long Hymnal Measure
Other poems by William Blake